Raffaello Sanzio (Raphael)

1483-1520 Italy-High Renaissance

 

Brief Biography-Raffaello Sanzio, known as Raphael, was born in Urbino in 1483. His painter and poet father Giovanni Santi worked in the Court of Montefeltro and was a favourite of Duke Guidobaldo; however, he died when Raphael was only eleven years old. Raphael had acquired the basics of painting from his father as a child. When he was seventeen, he went to Perugia to work in the atelier of Pietro Perugino who had known Giovanni. Perugino was to influence Raphael so much that it was difficult to distinguish his paintings from his master's works. There is also evidence of the influence of Umbrian artist Pinturicchio in some of his images. After four years, he felt he could not learn any more from Perugino whom he had surpassed in skills.
In 1504, he went to Florence, where the works of Leonardo and Michelangelo enlightened him along with the paintings of Masaccio. The Roman antiquities and the sculptures of ancient artists were also an essential inspiration for him. Florentine art was to change his style from what he had learned from Perugino to a greater level of perfection, although he was never to abandon his influence completely. He became closely associated with the Dominican friar Fra Bartolommeo who influenced his work. It was in Florence that he was declared 'the best master of the day'.
In 1508, Pope Julius II commissioned him to paint the Vatican Stanze, and he made his way to Rome. He was now to spend the rest of his short life in Rome. Here he was to paint his most renowned frescoes—the Disputa, The School of Athens, Apollo and the Muses to name but a few. His only rival was his old Venetian friend Sebastiano del Piombo, who painted the Resurrection of Lazarus, with input from Michelangelo, in the same church as Raphael's Transfiguration. That painting was considered equal to that of Raphael's work by critics of the day.
He engaged in portraiture, doing remarkable paintings of his patrons Julius II and Leo X. The portrait of his supposed mistress, the 'Donna Velata' Woman with a Veil, is considered one of his best images and equal to that of Leonardo's Mona Lisa.
Pope Leo X appointed Raphael chief architect for Saint Peters in 1514 when Donato Bramante died. He was also inspector of monuments and drew plans for the restoration of the city. Vasari stated, he lived as a prince rather than a painter, and fifty assistants accompanied him from his house to the Vatican daily. When Michelangelo met him, he remarked: "You walk like a general at the head of his army." Raphael replied, and you like an executioner on his way to the scaffold."
He had several students and assistants to help with the vast output of work from his atelier. The two most notable were Giulio Romano and Giovanni Francesco Penni. Raphael died while painting 'The Transfiguration', in the Vatican and Giulio completed it with the help of Francesco after his death. Scholars attribute the hint of mannerism in the painting to Giulio. Rome was stricken with grief with the news of his passing.

 

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woman with
a veil

woman with a veil


el parnaso

el parnaso

School
of Athens

School of Athens

Liberation of
Saint Peter

Liberation of Saint Peter

la disputa

la disputa

Saint
George

Saint George and the Dragon

Balthazar
Castiglione

Balthazar Castiglione

Bindo
Altoviti

Bindo Altoviti

Agnolo
Doni

Agnolo Doni

Lo Spasimo
di Sicilia

Lo Spasimo di Sicilia

Christ
Supported

Christ Supported by Two Angels


Betrothal

Betrothal of the Virgin


Entombment

Entombment

Pope
Julius

Pope Julius Two

Elisabetta
Gonzaga

Elisabetta Gonzaga

A Young
Woman

Portrait of a Young Woman

Saint
George

Saint George Struggling with the Dragon

Draught
of Fishes

The Miraculous Draught of Fishes

The
Crowning

The Crowning of the Virgin

Sistine
Madonna

Sistine Madonna


Transfiguration

The Transfiguration